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Site in back pick an woman? Please discover your discrimination share. We have online services but judgement subfield these. Oh, and hey! Threatening to kill yourself if your partner leaves isn't loving. It's a form of emotional abuse.
Investing all your happiness and sense of self-worth in any relationship — one that, by definition, might one day end — is putting a lot of eggs in one basket. Sure, God may only know what you'd be without her, but God probably also hopes you have, I don't know, some hobbies. Take a yoga class. Google some woodworking videos. Try kite surfing. Hell yeah! What was her name again? One person cannot be anyone's be-all and end-all.
It's too stressful. And it prevents you from doing you, which is a thing that's gotta be done before you can do anything else. No wonder she took that job in Seattle. But, we don't have Michael Jackson anymore, and as tribute acts go, you could do a lot worse than Bruno Mars. Look at that face. That face!
Here's why the song sounds romantic: Treasure, that is what you are Honey, you're my golden star You know you can make my wish come true If you let me treasure you If you let me treasure you Pass those lyrics to anyone on a used napkin at an eighth-grade make-out party and you'll likely get an instant toll pass on the highway to tongue-town ew.
Pass them to your spouse and, chances are, date night is going to culminate in 47 minutes of chaste-yet-passionate frenching. Pass them to a cop who pulls you over for running a stop sign, and they will think you're weird — but probably still make out with you. In fact, Bruno Mars basically has a lifetime pass to make out with America because of this song. This is what happens when you write "Treasure" and you're on stage with Michelle Obama. And I'm OK with that. But, here's why "Treasure" isn't as romantic as it seems: Everything about "Treasure" is retro.
Including its attitudes about gender. Things start to go south right from the very beginning: Give me your, give me your, give me your attention, baby I gotta tell you a little something about yourself Ah yes. Nothing screams "respect" quite like a man lecturing a strange woman on the street about something she "doesn't know about herself.
Could it be that her jokes are funny? Could it be that she's got something in her teeth? Could it be that her nonfiction book about early modern German history is extremely detailed and informative?
Spoiler Alert: It's none of those. You're wonderful, flawless, ooh, you're a sexy lady But you walk around here like you wanna be someone else Oh. It's that she's sexy. Cool, bro. Very original. Word of advice? Regardless of how she's walking, the lady knows she's sexy. Even if she doesn't, it really doesn't affect her day-to-day so much that you, a complete stranger, need to shout it at her even over a funky disco snare.
So what if she does want to be someone else? I'd love to be someone else! I think being Ryan Gosling would be quite nice. A good way to spend a three-day weekend. Sure, there'd be an adjustment period Photo by Eamonn M. And then later, of course, the narrator can't help himself: Pretty girl, pretty girl, pretty girl, you should be smiling A girl like you should never look so blue.
He respects her so much, he's actually straight-up telling her to smile! Much like Mars' character "Uptown Funk ," who appears to get off on angrily exhorting girls to "hit [their] hallelujah. Yes, in the world of "Treasure," a healthy relationship is an unending stream of a man complimenting a strange woman and said woman being so totally flattered that she immediately dispenses "the sex.
You are my treasure, you are my treasure You are my treasure, yeah, you, you, you, you are You are my treasure, you are my treasure You are my treasure, yeah, you, you, you, you are By this point, in his mind, she's a literal thing. An object. Which is fitting. I suppose it could be worse, though.
At least she's not just any thing. Glorious, poetic, acoustic flames. Bob Dylan, a guy who is good at writing songs that a lot of people like. Well, it ain't no use to sit and wonder why, babe Even you don't know by now And it ain't no use to sit and wonder why, babe It'll never do somehow When your rooster crows at the break of dawn Look out your window, and I'll be gone You're the reason I'm a-traveling on But don't think twice, it's all right.
Strummed on out of that friends-with-benefits situation like whoa. An honest song. A powerful song. It's the song your older sister played on continuous loop for six months after her boyfriend left for college.
The song that convinced your Aunt Roslyn to leave her bank-teller job, load her four Australian shepherds into the van, and open a wind chime store in Mendocino. The song your friend's cool dad always wants to play when he invited your high school band over to his apartment to jam.
Sure, it's about the end of a relationship, but it sounds romantic. And at the end of the day, shouldn't that be enough? Here's why it's actually sooooo messed up: Relationships end. For a lot of reasons. And while there is no right way to call it quits with someone, when the dust settles, both parties can certainly benefit from a difficult, honest discussion about what went wrong. It's not me, Joan.
It's you. In "Don't Think Twice," that discussion basically boils down to: I gave her my heart, but she wanted my soul Ugh, women, right?
You're all like, "Babe, I just have so much unspecified love to give," and she's like, "Take out the trash!
I already did the laundry, cleaned the whole house, fed the dog, did the dishes, and made both of our lunches for the week. All I need you to do is take out the trash. I'm gonna go play guitar. What did you do? Why is she trying to change you? You could have done better, but I don't mind Yes. You do mind! You mind! You wrote a song about it, you passive-aggressive prick. You just kinda wasted my precious time Ah yes. Your time is so precious!
Think about all the hours you wasted plumbing the ocean-deep, ecstatic mysteries of human partnership when you could have been futzing around with that home-brew kit. Yes, this was worth it. The minute you start breaking it down, the message of "Don't Think Twice" suddenly starts to seem a lot less romantic. Like your sister's ex-boyfriend, who worked at the Bass Pro Shop in town for a while and now might be in jail. Like your aunt's wind chime store, which would have closed forever ago had she not received that inheritance from her mom in the '80s.
Like your friend's cool dad, who wasn't exactly, technically, paying child support. No one's under 13, right? Oh yeah, and the song's narrator also point-blank refers woman he's leaving as: A child, I'm told That's right.
In addition to being a run-of-the-mill passive-aggressive jerk — turns out, he's also possibly a pedophile. Even if we are to accept that this is a metaphor and she's not actually a child — which there's no indication it is, but OK, Bob Dylan — the fact that Commitmentphobe Gunderson here would willingly choose an immature partner reflects way more poorly on him than it does on her. Breaking up with anyone in such a cruel, dismissive way is a recipe for sticking them with years of therapy bills.
Which, I suppose, may be the point. This guy. And impressive in its loveliness because jet planes were still kind of new at the time it was written. Not easy to do! Oh babe, I hate to go You see — he hates to go!
He just hates it! We know this, because he tells us he hates it. And why would he hate to go if he didn't love his partner just that much? See ya! Why indeed? Here's why it's actually not that romantic at all: All the plaintive guitar, loping bass line, and twangy, melancholy warbling in the world can only distract so much from the fact that the song's main character is well, kind of a jerkweed.
And in reality — surprise surprise! There's so many times I've let you down So many times I've played around I tell you now, they don't mean a thing "Babe, I promise! All the movies I watched alone while you were home nursing the quadruplets. All the times I drained our life savings on Zoo Zillionaire. All the random sex I had with other women.
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