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It is a disc or plate balanced over another inverted one. The piece is given its basic shape by coiling or molding and then it is finished while turned on the disc. The disc with the vessel in progress is turned only with the hands, which requires a certain amount of balance and skill. The pieces are first fired with a clear glaze. Then a second glaze with oxides for color are dabbed on and allowed to run where it may. This look has made the pottery far more popular.
The color comes from the lead monoxide glaze that is applied to it. Up until the mid 20th century, the ware was popular enough to be shipped to all parts of Mexico and even to the United States. However, restrictions against lead containing pottery has since deflated this market and it is mostly sold only locally. In the s, a local potter by the name of Dolores Porras gained notoriety when she went against convention and pioneered the production of multicolored glazed pottery.
Porras taught herself how to paint on clay pieces, starting with red and white washes. Later she added blues, greens, grays and oranges.
When she began to produce these pieces, she was considered to be crazy. However, her pieces began to sell and other potters began to imitate her work. Later on, she introduced the use of lead-free glazes. Today, her pieces are part of Atzompa's pottery traditions even though she herself is outsold by younger potters who produce cheaper and better wares. Luis Garcia Blando makes terra cotta figurines in a style his late mother developed. They are elegantly adorned with earrings, necklaces and their dresses are decorated with elaborate floral designs.
Usually the women have two thick braids, like their creator did, and often carry a basket on the head. They are generally unpainted with almost all decorative details sculpted in clay. The style has been imitated and reinterpreted by other artisans. Vasquez is a single mother who raised four children, making money and a name by the making of these figures. She has won numerous awards for her intense and intricate work.
Her clay images are almost always focused on a strong female figure. The large pieces are "Byzantine" like, shaped like a Christmas tree and decorated with tiers of thumbnail miniatures. Each piece is unique and can take months to make. The colors are produced by mineral pigments in local rocks. The pieces cost about half that in her workshop.
The dynasty began with their mother, potter Isaura Alcantara Diaz. Isaura learned the traditional pottery making techniques of the Oaxaca Valley, which was mostly limited to making utilitarian items. She began to experiment with figures and more decorative pieces, with some of her pieces making their way into the Rockefeller collection, but unfortunately she died prematurely at the age of Due to their mother's death, the children began working early, with Josefina being only seven.
Poverty prevented the children from attending school. Like their mother, they began and mostly made pots and other kitchen utensils but they also worked to develop clay figures. Some, such as Demetrio Garcia Aguilar, are making a name for themselves as well. The most distinctive aspect are the figures of women, which average about a meter tall and have on their heads a shallow pan of sand to set a water storage jar.
Miniature figures based on these are similar in design but are often painted in accents of white and gold. These are called "tanguyus" and are created to be given as gifts to mark the end of the year. Ceramics of Jalisco. It probably descends from polychrome produced in this area en the 19th century. The name comes from the fact that these pieces are not glazed, but rather they are given a slip and then polished with a stone or pyrite.
Many of these pieces are slender necked jugs or lamp bases, often decorated with animals, such as rabbits, with distorted characteristics, giving them a surreal look. The pieces are usually painted with delicate tones of rose, gray-blue and white on a background of a light coffee color, light gray and sometimes green or blue. Each piece is individually created. The attraction of this pottery is its appearance, as it is too porous to hold any liquid or food.
One exception to this are thick large tubs mainly to store water or for bathing. Water stored in this kind of vessel takes on a flavor from the clay, which is actually desired by many people. Another exception is a water container with a fat body and long neck, with a ceramic cup placed upside down over the neck.