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Provare Per Credere Latino Dating

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TITUS Texts: Brunetto Latini, La Rettorica

Male spoken word vocals narrate the proceedings with great drama on occasion. The organ returns with majesty in the 10 minute closing title track, just variations, shades, very peaceful and almost ambient or meditative once one gets used to what is a pretty radical sound.

Completely atmospheric, deep, and rich. That's the thing about the Jacula sound. Some people call this "boring" and I just could not disagree more. There is nothing more exciting than hearing something both traditional and yet so "out there.

Give yourself time to appreciate the strange unsettling feeling in the church organ passages. How often do you get to hear something like that?

It is difficult to decide which of the two Jacula releases to start with as both are strong and worth owning. The first has the groundbreaking factor and more guitar, perhaps more of an open naivety. The second is more intense in the dark vibe with a bit more going on despite having less electric guitar. The story doesn't end here. The next Jacula album is arguably better and some 30 years later they would return with the magnificent concept album "Switch on Dark" which would combine the haunted castle story with a lush modern rock feel.

Another new album is to be released soon. Bartoccetti and Norton will never be given the credit they are due as musical pioneers but I really doubt they care. I sense they realize the awe that individuals express when they stumble across these gems and give them a chance. That this music is so cherished by the few over much of the lot of rock and roll is the best reward an artist can attain.

And again, Black Widow Records must be recognized and thanked for realizing the importance here and making the effort to get out this quality reissue. Get these great historical recordings while you can. While their followup album Tardo Pede in Magiam Versus is often considered their only official release, it's only because that album was made available through record dealers willing to carry it in Italy.

This album was released on the small Gnome label, but not sold at record dealers, but whatever occult sects who were interested. And if the cover looks familar, it was simply reused and colored for Tardo Pede in Magiam Versus. Recorded in a similar way, while conducting a seance, this one was said to be recorded in a church in England. But while much of the album is similar, with pipe organ and chanting, you also get the bonus of guitar, complete with heavy metal riffs not unlike Black Sabbath on some of the cuts but you have to bear in mind, this was before Sabbath even released any albums, and it's very doubtful Sabbath ever got a hold of this album, as was anyone else back then.

The music has the same, dark sinister feel, perfect for Halloween. But there's one real standout cut for me and that's "Initiatio", which is a truly haunting piece where Charles Tiring uses piano and even a Hammond organ rather than the trustworthy pipe organ instead with some truly haunting wordless female voices from Doris Norton.

It's really hard to believe this stuff was recorded in ! At that time there were still psychedelic acts stuck in the "flower power" mentality, and prog rock was in its infancy, having given a big boost that year with the release of In the Court of the Crimson King King Crimson. Even Black Widow, a British occult rock group that received a reputation was still going by the name of Pesky Gee and covering other people's songs as demonstrated on their album Exclamation Mark.

And Jacula sounds so far ahead in that it's little wonder why this album never made it to record stores, simply because it has much more of a '70s sound than a '60s sound! Of course there was the controversial content too, but that didn't stop their second and final album Tardo While Jacula was able to release that second album three years later in , Atonio Bartoccetti had to take military service, causing the group to disband although he also had a falling out with Charles Tiring , but he returned in minus Charles and continued on as Antonius Rex.

I give this one the slight nod over Tardo, since I don't have to deal with the poor spoken English found on "Long Black Magic Night", plus the fact it includes "Initiatio" which I feel is the finest piece Jacula had ever done, not to mention the presence of guitar on some of the cuts is a welcome addition lacking on Tardo.

This music certainly won't appeal to everyone. But if you don't mind dark sinister music, complete with pipe organ, heavy guitar and chanting, give it a try. Un disco fino al praticamente introvabile, ristampato su etichetta Black Widow in edizione peraltro limitata. Forse difficile da reperire, ma ne vale la pena. Un sound inedito per l'epoca, fatto esclusivamente da un autentico organo di chiesa, dalla chitarra elettrica del leader della band e da voci tenebrose ed ossessive.

Uno stile essenziale che caratterizza un album dall'ottima produzione: Influenzatissimo dallo stile di Toni Iommi dei Black Sabbath, ed attratto morbosamente dalle tematiche occulte ed esoteriche, Bartoccetti riesce ad inventare un soundmalato, decadente ed oscuro, assolutamente in anticipo rispetto a chiunque altro.

Un doom con venature ambient, se proprio volete un'etichetta. Nell'epoca dell'esplosione del progressive rock, in cui le differenze tra le varie band andavano assottigliandosi, gli Jacula di Anthonius Rex furono qualcosa di veramente alternativo. Veramente straordinario il brano "Triumphatus Sad", violentissimo ma estremamenteragionato, fatto da una chitarra di matrice hard-rock "impastata", ed antesignano di qualsiasi"horror music" italiana.

Chiaramente non si tratta di un disco che si "fa ascoltare" facilmente, in particolarele "poesie parlate" di Rex possono annoiare chi si aspetta ben altro da un disco rock. Ma credo che, nonostante la pesantezza di alcuni passaggi, si possa tranquillamente parlare di capolavoro del dark, o dark-gothic che dir si voglia Le parti prog possono riscontrarsi principalmente nelle parti tastieristiche esasperate fino all'estremo, nell'uso sapiente dell'effettistica, e nell'utilizzo della voce come mero strumento.

In Cauda Semper Stat Venenum never reached the record shops, but the recorded album was the beginning of a path towards an interior research The story starts in when the young musician and composer Antonio Bartoccetti leaved the Apennine mountains in the Marches and landed in Milan. There he composed loads of ideas with a view to transform into music a series of theological-philosophical and esoteric observations, a result of a teamwork Bartoccetti had with the fantastic visions of the medium Franz Parthenzy.

Entering the Milanese underground music circuit, he went about many bands like "Le Orme" and began to compose and write lyrics for the album In Cauda Semper Stat Venenum a latin expression which means "The Poison is always at the end".

This seems to be the only proper group which he played with he played bass , and the style was closer to late 60's psychy beat than progressive. They are frequently labeled as "Satanists" by some for their interest in theological-philosophical and esoteric observations," much as Sabbath were by some people.

I find it pretty ironic that some complain about the content of music like Jacula, Sabbath, or Therion, when you compare it to the damage organized religions have inflicted on man over time, I think those folks could use some perspective. It was difficult for me to permeate the awkward Internet auto-translators in trying to decipher the content of Italian interviews to English.

Bartoccetti would be asked questions about their "occult" interests and would seem rightfully irritated at the implication of evil intent-didn't we learn anything from burning all those "witches? The ease with which the human animal can turn a blind eye to the suffering of others while proclaiming moral high grounds.

That said, the presentation of the music is undoubtedly put forth with the dark aesthetic and this will not appeal to everyone. For those who are able to deal with or even enjoy art bathed in a sinister, dark castle atmosphere, many wonderful audio adventures await you.

While I'm not a fan generally of musical revisionism like the Genesis boxset , the remixing and embellishments done to this Jacula album have produced astounding results. It sounds spectacular for something recorded so long ago. The thinking of both the artist and BWR was that a new CD reissue would require the ancient tapes, in poor shape, to be shined up for the younger generation.

Mission accomplished. Cranking up the pipe organ solo reveals almost no hiss and feels like sitting in a grand cathedral somewhere. Before you buy a Jacula album know what to expect.

Do not buy this album looking to sway to dreamy neo-prog solos, do not expect to be "rocked," do not expect a typical "band" experience. Expect that you are going to a recital and that individuals are going to play while you listen attentively. You may hear some things that disturb your ingrained sensibilities on multiple levels. This is gloriously beautiful sound on its own which is the point; if you listen just waiting for the rock and roll to kick in, don't bother.

Various wind and sound effects will come and go. Even Bartoccetti's proto-Iomni style assault on his SG does not impart a rock band experience so much as a texture over the single, beating funeral drum. Male spoken word vocals narrate the proceedings with great drama on occasion. The organ returns with majesty in the 10 minute closing title track, just variations, shades, very peaceful and almost ambient or meditative once one gets used to what is a pretty radical sound.

Completely atmospheric, deep, and rich. That's the thing about the Jacula sound. Some people call this "boring" and I just could not disagree more. There is nothing more exciting than hearing something both traditional and yet so "out there.

Give yourself time to appreciate the strange unsettling feeling in the church organ passages. How often do you get to hear something like that? It is difficult to decide which of the two Jacula releases to start with as both are strong and worth owning. The first has the groundbreaking factor and more guitar, perhaps more of an open naivety.

The second is more intense in the dark vibe with a bit more going on despite having less electric guitar. The story doesn't end here. The next Jacula album is arguably better and some 30 years later they would return with the magnificent concept album "Switch on Dark" which would combine the haunted castle story with a lush modern rock feel. Another new album is to be released soon. Bartoccetti and Norton will never be given the credit they are due as musical pioneers but I really doubt they care.

I sense they realize the awe that individuals express when they stumble across these gems and give them a chance. That this music is so cherished by the few over much of the lot of rock and roll is the best reward an artist can attain. And again, Black Widow Records must be recognized and thanked for realizing the importance here and making the effort to get out this quality reissue.

Get these great historical recordings while you can. While their followup album Tardo Pede in Magiam Versus is often considered their only official release, it's only because that album was made available through record dealers willing to carry it in Italy. This album was released on the small Gnome label, but not sold at record dealers, but whatever occult sects who were interested. And if the cover looks familar, it was simply reused and colored for Tardo Pede in Magiam Versus.

Recorded in a similar way, while conducting a seance, this one was said to be recorded in a church in England. But while much of the album is similar, with pipe organ and chanting, you also get the bonus of guitar, complete with heavy metal riffs not unlike Black Sabbath on some of the cuts but you have to bear in mind, this was before Sabbath even released any albums, and it's very doubtful Sabbath ever got a hold of this album, as was anyone else back then. The music has the same, dark sinister feel, perfect for Halloween.

But there's one real standout cut for me and that's "Initiatio", which is a truly haunting piece where Charles Tiring uses piano and even a Hammond organ rather than the trustworthy pipe organ instead with some truly haunting wordless female voices from Doris Norton. It's really hard to believe this stuff was recorded in ! At that time there were still psychedelic acts stuck in the "flower power" mentality, and prog rock was in its infancy, having given a big boost that year with the release of In the Court of the Crimson King King Crimson.

Even Black Widow, a British occult rock group that received a reputation was still going by the name of Pesky Gee and covering other people's songs as demonstrated on their album Exclamation Mark. And Jacula sounds so far ahead in that it's little wonder why this album never made it to record stores, simply because it has much more of a '70s sound than a '60s sound!

Of course there was the controversial content too, but that didn't stop their second and final album Tardo While Jacula was able to release that second album three years later in , Atonio Bartoccetti had to take military service, causing the group to disband although he also had a falling out with Charles Tiring , but he returned in minus Charles and continued on as Antonius Rex.

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